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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of electronic music.

He subsequently formed the innovative techno group The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the previous couple of years, following a period of health issues.

"I managed to damage myself significantly," he stated in 2023. "I broke spinal bones in my back and cracked about five ribs and fractured my arm."

Following contracting a lung infection and developing blood poisoning, he was placed in an induced coma and stayed in the hospital for half a year.

However, he had been in "high spirits mentally" during the summer, as he worked on a new album with Almond, titled the upcoming Danceteria, which is set for release next year.

"He was concentrated and very pleased with the new album that we actually finished only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant part of my life and for the music you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from joining a group, the bond is very tight," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, alongside his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Inspired by a shared love of a music genre, they formed Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on a television science show a popular series, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of 1981, selling millions of units worldwide. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's passing

Professional Journey

Fame had its benefits. "I loved being able to purchase my first home, having financial security and exploring, which might seem like a beauty queen," Ball recently told with a music magazine.

But it also caused problems. "Sudden riches meant we could afford newfound drugs to relieve the boredom" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it works for so many bands."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to create a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the charting album Cruelty Without Beauty.

Following a further break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, 2018.

However, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's new album as a homage to the NYC nightlife they frequented while making their first two albums.

He noted that his time in hospital had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he told a music magazine.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The last versions were finished only a short time before Ball died. It is due for launch in the spring of 2026.

KG
By

Kathleen Gomez

A seasoned luxury lifestyle journalist with over a decade of experience covering high-end travel and investment trends across Europe and Asia.

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